Scarlett Johansson Talks Politically Correct Casting: ‘I Should Be Allowed to Play Any Person, Any Tree, or Any Animal’ – Stuns on Retro ‘As If’ Magazine Cover

Scarlett Johansson opened up about her extensive acting career and the rising trend of politically correct casting in a candid new cover story for As If magazine.

Truth teller: If acting paid her next to nothing, Scarlett said she would still happily do the job

In the spring/summer 2019 issue, the 34-year-old actress dazzled in a retro-themed photo shoot, featuring a mod-inspired look designed by art director David Salle in collaboration with Peter Hidalgo.

Bombshell: Scarlett Johansson spoke candidly about her storied acting career and the growing 'trend' of politically correct casting in a revealing new cover story for As If magazine.

Johansson, who appeared in vintage-inspired attire with Hollywood-style curls, expressed her deep passion for acting, stating that even if it paid very little, she would still pursue it.Stunning: Art director and interviewer David Salle collaborated with Peter Hidalgo to create three collectible limited edition dresses that inspired the mod vibe of the shoot She acknowledged the perks of her profession, like the ability to dine at restaurants without reservations, but also reflected on the industry’s changes, including recent controversies surrounding her casting choices.Get it! As If is on newsstands now

 

She addressed the topic of political correctness in casting, emphasizing her belief that actors should be free to portray any role, whether human, animal, or otherwise. Opening up: The 34-year-old was candid about the good and the bad in her industryWhile recognizing the importance of social reasons behind these changes, Johansson admitted that it sometimes conflicts with her artistic freedom.

Custom! Scarlett looked amazing in one of the custom dresses

The actress also shared insights into her experiences with directors, noting a challenging moment with Jonathan Glazer during the filming of “Under the Skin.” She recounted feeling frustrated when he refused to allow her to use a warming jacket between takes, highlighting her commitment to her craft.

Looking back: She recalled a particularly tough time with director Jonathan Glazer while shooting Under the Skin where she was distraught about his behavior.

Johansson concluded by discussing how the final cut of a film often differs from her initial vision and how audiences might interpret her roles differently than intended, using “Lost in Translation” as an example.

Rough times: Director Jonathan Glazer once instructed the the costume director to stop Scarlett a warm jacket in between takes to make sure she was feeling the cold

As If magazine’s Editor-in-Chief, Tatijana Shoan, praised the collaboration with Johansson and David Salle, calling the project a remarkable fusion of art and fashion.

Drama: Recently Scarlett not-so-gracefully bowed out of an upcoming project as a trans character following significant backlash that the role wasn't given to a trans actor.

 

'If I wanted to decide to be wet and cold in order to feel wet and cold I¿ll make that choice myself, you know? But, sometimes directors imagine that they can do something like that.'Touchy topic: She addressed was she called the 'political correctness' in casting without directly mentioning her controversial casting in Rub & Tug'You know, as an actor I should be allowed to play any person, or any tree, or any animal because that is my job and the requirements of my job,' she said point blank.'I feel like it¿s a trend in my business and it needs to happen for various social reasons, yet there are times it does get uncomfortable when it affects the art because I feel art should be free of restrictions.'Always a surprise: The star, who has been in the industry for much of her life, went on to explain that as someone in front of the camera, she rarely ends up with the movie she thought she was making'To me, Lost in Translation was so specific to a young woman experiencing her loss of innocence, and her profound relationship with a stranger made the experience transformative.'